Zinaida Yevgenyevna and some of his oil paintings

Zinaida Yevgenyevna Serebriakova ( December 10, 1884 – September 19, 1967) was among the first female Russian painters of distinction.
Zinaida Serebriakova was born on the estate of Neskuchnoye near Kharkov (now Ukraine) into one of Russia's most refined and artistic families.
She belonged to the artistic Benois family. Her grandfather, Nicholas Benois, was a famous architect, chairman of the Society of Architects and member of the Russian Academy of Science. Her uncle, Alexandre Benois, was a famous painter, founder of the "Mir iskusstva" art group. Her father, Yevgeny Nikolayevich Lanceray, was a well-known sculptor, and her mother, who was Alexandre Benois' sister, was good at drawing. One of Zinaida's brothers, Nikolay Yevgenyevich Lanceray, was a talented architect, and her other brother, Yevgeny Yevgenyevich Lanceray, had an important place in Russian and Soviet art as a master of monumental painting and graphic art. The Russian-English actor and writer Peter Ustinov was also related to her.
In 1900 she graduated from a women's gymnasium (equivalent to grammar school or high school), and entered the art school founded by Princess Tenisheva. She studied under Repin in 1901, and under portrait artist Braz between 1903 and 1905. In 1902-1903 she spent time in Italy. In 1905-1906 she studied at the Académie de la Grande Chaumière in Paris.
In 1905, Zinaida Lanceray married her first cousin Boris Serebriakov, the son of Evgenyi's sister, and took his surname. Serebriakov went on to become a railroad engineer.
From her youth onwards, Zinaida Serebriakova strove to express her love of the world and to show its beauty. Her earliest works, "Country Girl" (1906, Russian Museum) and "Orchard in Bloom" (1908, private collection), speak eloquently of this search, and of her acute awareness of the beauty of the Russian land and its people. These works are études done from nature, and though she was young at the time, her extraordinary talent, confidence and boldness were apparent.
Broad public recognition came with Serebriakova's self-portrait in 1910. The self-portrait was followed by "Girl Bathing" (1911, Russian Museum), a portrait of "Ye.K. Lanceray" (1911, private collection), and a portrait of the artist's mother "Yekaterina Lanceray" (1912, Russian Museum), already mature works, strict in composition.
She joined the "Mir iskusstva" movement in 1911, but stood out from the other members of the group because of her preference for popular themes and because of the harmony, plasticity and generalized nature of her paintings.
In 1914-1917, Zinaida Serebriakova was in her prime. During these years she produced a series of pictures on the theme of Russian rural life, the work of the peasants and the Russian countryside which was so dear to her heart: "Peasants" (1914-1915, Russian Museum), (private collection).
The most important of these works was "Bleaching Cloth" (1917, Tretyakov Gallery), which revealed Zinaida Serebriakova's striking talent as a monumental artist. The figures of the peasant women, portrayed against the background of the sky, gain majesty and power by virtue of the low horizon.
When in 1916 Alexander Benois was commissioned to decorate the Kazan Railway Station.
At the outbreak of the October Revolution in 1917, Serebriakova was at her family estate of Neskuchnoye, and suddenly her whole life changed. In 1919 her husband Boris died of typhus contracted in Bolshevik jails. She was left without any income, responsible for her four children and her sick mother. All the reserves of Neskuchnoye had been plundered, so the family suffered from hunger. She had to give up oil painting in favour of the less expensive techniques of charcoal and pencil. This was the time of her most tragic painting, , which depicts her four orphaned children.
She did not want to switch to the futurist style popular in the art of the early Soviet period, nor paint portraits of commissars, but she found some work at the Kharkov Archaeological Museum, where she made pencil drawings of the exhibits. In December 1920 she moved to her grandfather’s apartment in Petrograd. (After the October Revolution, inhabitants of private apartments were forced to share them with new inhabitants sent for "podseleniye"). At this time, her daughter Tatiana entered the academy of ballet, and Serebriakova created a series of pastels on the Mariinsky theater.
In the autumn of 1924, Serebriakova went to Paris, having received a commission for a large decorative mural. On finishing this work, she intended to return to Russia, where her mother and the four children remained. In the event, her younger son Alexandre and younger daughter Catherine came in Paris respectively in 1926 and 1928, but she was unable to bring the two older children even though she wanted to, and since she herself was not able to return to Russia, she became separated from two of her beloved children, Evgenyi and Tatiana.
Zinaida Serebriakova traveled a great deal. In 1928 and 1930 she traveled to Africa, visiting Morocco. The landscapes of Africa's north astonished her, and she painted the Atlas mountains, as well as Arab women and Africans in ethnic clothes. She also painted a cycle devoted to Breton fishermen. The salient feature of her later landscapes and portraits is the artist's own personality—her love of beauty, whether in nature or in people. And yet, the most important thing was missing—the connection with what was near and dear to her.
Serebriakova took French citizenship in 1947, but it was not until Khruschev's Thaw that the Soviet Government allowed contact between her and her family. In 1960, after 36 years of forced separation she was visited by her daughter Tatiana (. Most of her works, however, are still in France, although she sent about 200 to be shown in Russia.
Zinaida Serebriakova died in Paris on September 19, 1967, at the age of 82.

Following are some of the master oil paintings for you.

Overview color beauty of watercolor painting

Watercolor painting is based on color as a basic means of shape modeling, than double the fun with the magic of color beauty and natural status. First factors of color are often impressive, because color paint, body, values have been converted to color relationships. Therefore, on the study on the basic color is important for Chinese subjects, to high intensity of color sketch, tone exercises your artwork and color copying, especially after the water dilutes the saturation of color, bright produces subtle changes, we need to seriously approach to investment and master. Watercolor painting color, in addition to the attributes common to all kinds of color paintings, it has its own unique experience, that it's meaningful, beautiful, colorful colourful, concentration summary that also constitute one of the watercolor moved the human element. Impossible, there is no need to oil paintings to pursue lucrative life-like effect, which also has a watercolor color characteristics – summary. Although the panorama dazzling, diverse and confused, changing without chapters. But the artist should not be confused by these phenomena, to have a sense of initiative to manage and refine. Emphasizes a distinct, rich, harmonious and the color language of law; also stressed the psychology of visual perception and Visual. If said oil painting of color to heavy, and delicate for its features; landscape painting can be bright, and strongly for its, Director of, so, watercolor of color should to General, and clear for its main flag, we in draws Shi should note this a characteristics of play, about color of refined, and wrote Shi weighing every word as, cherish color as gold, makes its rendering out a simple detached of sublimation us, simple and losing rich of picture effect. Liu Xie Wen Xin diao said: "looking for propagation, and analysis of these remarks is simply", this "simple" is not on the number of positive or negative, but rather concentrated on the objective things and refine. Through the free operation of the subjective spirit, grasp the essence, hue, lightness, purity, and changes to color, hue, contrast, harmony and other aspects of serious thinking and inductive, found themselves wished to express the emotions of color and processed, multi-directional, multi-angle screen design is an important way to achieve spiritual sublimation. After paying particular attention to the overall combination of various color structure, for example, hue, contrast, rhythm arrangements, area, size, color of primary and secondary meaning, tone, cold and warm, fresh lime ... ... Through refined, eventually finding a best, subjective ideal image color distribution. Paying particular attention to the overall composition of the various structures, artists in the creation of abstract thought, both on screen to the grasp of language factors. This pan tianshou's Pavilion in the days of art on record have been elaborated: "color in the picture, bred in natural color; so the color in the picture, and non-natural color. Method of painting, bred from the natural law, is not acting in the picture also. Art as the source of the text. "Observation into the performance, sketches into summarized, into the sublimation, perfect from objective to subjective process. Therefore, artists generally, is both a spiritual purification of the sublimation process. "Care of the power, and chaff", though color alone, they can pit one against ten, embodies my aesthetic principles. "Picking chrysanthemums under the eastern fence, and leisurely see Nanshan" (Jin•taoyuanming) is simple-interest in tune, also consistent with morale on parking style.
In short, we tell our watercolor sense of material, in the final analysis, is not determined by the independent elements, but rather mutual references between them, contrast, composition, to reflect the significance of form. Overall meaning of the screen is an occlusal relationships to each other, only when the aesthetic needs are met, work personality to natural techniques of integration as a whole. Like a few bricks, when you look at the nonsense, however they are different from other construction materials when configured, will create extraordinary value. Beauty is in the form of watercolor painting in water and blending of colour and the complex and diverse sports experience sufficient to demonstrate. Thus, so-called artist's abilities are not defined as the ability to set policy in static isolation control screen, and most of all run through the whole process of making, embodied in the time of the accident circumstances and ability to adjust screen.
In addition, occasional ability to manage and pursue watercolor portrait painting, seemingly random expect a lot, it was carefully planned. Makes the color of magic and charm, emotional mood of the picture is to map out a strategy. Therefore, stressed the picture kind of material consciousness, must pay attention to their body language to play, pulling and other art kind of distance, stressed the study of watercolor art law and language features, perfect example of its own unique form of artistic value and charm of times in the process. We're going to do is, in trying to show the material characteristic of watercolor painting in the creation, watercolor language the more novel the more personalized, more aesthetic attention.

The color bright beauty of watercolor painting

Colors are important tools for painting, is also a hit with audiences, and the first form element is directly inside of visual media influence on the audience. Russian avant-garde painters Kandinsky had called for example: "color is black and white keys on the piano, eyes of the hammer are key. Mind is a piano with many strings. Artist is the hand, through the keys or a, put heart into fibrillation. "France painters Cezanne said:" first of all, a picture is, should also be color. History, psychology, they are still hidden in it, because the artist is not another category of stupid people. There is a logic of color, to be honest, artist shall be obedient it, rather than be obedient mind logic; if he collapse in the latter himself, that he is done. "Indeed, the color is a source of endless creation. Pay attention to the color composition of watercolor painting, especially the portrait paintings,exploring their facial expression is very important.
From an objective point of view, law is the cornerstone of understanding color shade variation. In modern times, the people awareness of the nature of color, is to a large extent from the optical view, shade change color after effect on Visual analysis. Precisely because it has its own basic law and specific scientific principles, we have found a key to the interpretation of color science. Despite the long history of the human color paint, but until the Renaissance is also sauce Brown speed-dominated, face a single. Only when United Kingdom scientist Newton's Prism get worked up for year 1 years experiment discovered the secret of light and color, after impressionist painters in nature, painting of color face fundamental changes have taken place. From the perspective of optical analysis of results, blocks of color in nature, are produced by a variety of shade elements mixed, light colors, different light sources have a different color variations. Therefore, our watercolor color from original observation, analysis, understanding of color, find the changes based on the regularity and, overcoming the sense of blind to color, and mysterious. Only to analyze the cause of color in each color block, knows these color elements are shown in color theory, color eye may develop habits of rational to observe objects, can accurately grasp the tendencies of every color, measured and the variation of warm and cold. Watercolor painting belonging to the western areas of color painting, we also must be based on Science, master shade change regularity of objective, opens the door of the mystery of color, make the momentary change of color is relatively stable and clear, turn to master correct methods of observation, understanding, and to show the color.
In addition, the color of emotion is the most important aesthetic characteristics of color, it has a very strong human subjective properties. People describe is red hot, blue is tranquil, green life, yellow is a joy, violet is blue sth Using color to convey the emotion of the objective world is the ultimate goal of color. Therefore, other than the shade of color rule, also should have a capacity to deal with subjective color, looked all kinds of color to emotion, understand the basic principles of color composition and color combinations, on a variety of different color style look. Different people, different regions will follow the national, the region's aesthetic principles of habit and color composition, and history into its own cultural background color. In the same color in different national, will flow into a variety of symbolic and spiritual content, and have a very different emotional impulses. Therefore, our view of Western and Oriental color concept should be compared. Western bride to wear a white wedding dress, and the Chinese funeral procession only when wearing clothes. Sociology of science and color, aesthetic psychology in conjunction with organic. How to use color words to convey their true feelings about the objective world and attempts to, how to mobilize means of color as the theme service, became a special expressive language of color, really as a tool for human communication.
At the same time, should pay attention to several important comparative analysis and study on the relationship of color. Color contrast is a direct factor of Visual impact. Color hue, lightness, purity, cold and warm, as well as to mutually antagonistic conflict areas, we have every kind of antagonistic contradiction between comparative study on the relationship, clearly they are on the screen. On relationship between colour and picture composition, color and space, color purity, lightness and visual experience, caused by the change of forward and backward. Another example: landscape painting with hue contrast relationship strong, immediate visual impact; after the color lightness, contrast and bright and harmonious effect of gray level picture; in particular, should identify complementary contrast relations of mystery, known as complementary colors, is a mutual relationship between kinds of Visual. A specific colour, there is always an appropriate complement to balance and complement. As we ate the fruit of the sweet and salty food need to supplement. This is appreciated by physiological needs, also color the picture key rings of beauty.

The swift uplifting rush beauty of watercolor paintings

Watercolor, whether intentionally or unintentionally, macro picture juzhi is always limited, while the number of small format works, this is seen as its limitations, limitations and advantages are mutually dependent. Early Qing scholar Zhao Zhixin said in a talk in the art journal: "Lia, flexors and extensors, solid and wander, trance saw one squamous cell of a claw, and Dragon tail intact and solid as if the opinions of, engraving drawn against these remarks!" Works of art to compete, does not use the format and size of the drawn as basis, on the contrary, its charm is in "within a whisker, bringing the semi-detached; inch, is the differentiation of Chihiro's perfect. "One watercolor landscape painting is an easy and handy cultural types, are less affected by external constraints, production, transportation, collection, the exhibition is very convenient. Thus quite flexible, free creation and exchange activities. In the material record, emotional expression, and so convenient in terms of effectiveness. Sometimes feel, you can brush site, is the embodiment of the most Frank. Even if it is not of epic importance, there are still measuring the authors own temperament, is assigned a role and capacity. Looks like a diffuse inadvertently, it represents the wisdom and skill of the author. Watercolor of the swift uplifting rush of exactly fill the painting other vacancies, especially in the more modern high-paced social life of its irreplaceable importance. From the psychology of creation

The brushwork beauty of watercolor painting

Watercolor painting, no matter what kind of style and genre, were eventually to be achieved through action. When painting reproductions strokes and elegant, Freehand brushwork of the play is also constitutes one of the art aesthetic conditions. Watercolor painting is similar to the pen and brush on the construction of China, even with the forearm raised with a pen on the method of the same, on painting techniques learn to look more natural and coordination. And Chinese painting, watercolor painting is also pursuing a sum into gaseous pulse passes through, pay attention to the bone and by intelligent, scholar spirit fun, writing or painting of the character, softness, and radius of the title deed, bizhi painters mood of the true state of one ' s mind activities, but also to the subjective performance with enormous possibilities and the wider world. Like a splash of color, in particular, makes the screen a mixture of truth and falsehood, so there is room for imagination, more romantic. Watercolor of with pen a to about pen sexual: reflected personal of talent, and cultivation and habits; II to about gesture: with pen of trend, form and law dynamic, pen and pen Zhijian momentum Shang of rhythm and associated; three to about calligraphic style: pen color of form US law and fun of expression; four to about t: Foundation arrived must degree naturally can grasp pen sexual of specific ability, rendering out with pen of tension; five to about brushwork: correctly master with pen of normative, grasp picture of structure combination way and constitute form, such as large, Alternating use of small strokes. In this way, by writing movement strong and weak, fast and slow, heavy and light, and convergence of, and odd is all kinds of contrast, t, hue and water mix, Yi Hwang each other, creating a calligraphic style of watercolor portrait painting elegant, free and beautiful. This technique "the bear hills, cycle Super stiff style, Yi, wind disease, save first, painting was intended to, so fantastic." Rotary reciprocating and the twists and turns of abortion when the painting as well as shulang, knit, gathering and scattering, interlaced procedure and express their emotional process of adapting. Because every run flick, is closely linked with the author a Flash of mind activity. Writing movement is slow, continuous cascade, give a quiet sense of harmony and light far deep; the writing movement fast, sharp takes, from the Pentium means excitement, the magnificent, more picture cool shine-God, achieve the purpose of lyrical impressionism.

The transparent beauty of watercolor painting

Humans on a transparent substance, there is always a strong interest and a lot of beautiful imagination and desire. For example, transparent water, such as transparent glass. So far in the various types of glass mosaic in the Church in the West is the use of light generated through the beauty of transparent, resulting in bizarre and mysterious Visual effects, an important part of church art. Live Earth three-fourths is the sea, and sea water transparency, quiet, deep, deep blue world will never provide us with constant thoughts on things remote and pursuit. In the field of painting, watercolor painting is to shine bright achievements "meaningful", fill up the vision of a psychological need to meet everybody's pursuit of the beautiful transparent sense of taste, won audiences of all ages, this characteristic is other art that does not exist. From the comparison, adhesion of materials oily paintings using a deep, rich, very stiff brush, Lee scrapers, sophisticated canvas, toning oil as the intermediary media, picture a thick, heavy, rich material with delay. Despite oil painting also has transparent descriptive, but oily of pigments impossible has watercolor as pure clear clear; China painting to ink rhyme ignorant for highest standard, color tends to elegant, pigments to mineral and plant material for raw materials, although also pursuit transparency, but traditional pigments of manufacturing technology about ancient elegant, coupled with in health paper Shang painting, and because paper of absorbent, color of transparent sense weakened, even in cooked paper Shang for heavy color, due to layer Layer product dye, is difficult to reached transparent of requirements; color chalk is with gypsum powder plus pigments of dry strokes, There will be no sense of transparency, color prints, including wood block print, due to the registration of layer upon layer overprint, sense of transparency is also far less than watercolor. In contrast, art supplies watercolor paints a greatest feature is its transparency, as well as important indicators of the quality of its pigment, transparent, and tend to cost a lot. Water saturation and gradation of color is diluted with water, and use of paper texture and reflection, screen most of the light is the paper itself. As the watercolor "transparent", the paper presents a paper on the surface texture of beauty of nature. This transparency makes sense of natural landscapes by artists to create, achieve the ideal of more pure, gives a comfortable mental feelings and actions. Keep drawing white light at the end of the height of reflection needs skilled technique of watercolor painting, watercolor effect in itself such as TAM vocational water in winter, precipitation completely. Drawing the upper layer overlay, can either be subtle levels, and can maintain a sense of air. Zen is the highest State of "clear view road", transparent watercolor, wash qianhua, escape the hustle of Li Visual effects, can be described as "out of clear water Lotus, natural beauty" (Tang•libai), pure and clear beauty.
In addition, the technical content of watercolor painting, transparency is the essential and primary, to screen color transparent artist you want the effect of many years of training. Works both representational and abstract imagery or save form; bold and delicate in style or sense of weight to the problems of transparency, it is not easy to do. Watercolor put pen to paper-free, in one step, every single are tangible, color, water, requirements. Less overlap, even without overlay, to ensure the sense of transparency and the smooth feeling of the color, which will undoubtedly bring specific actions on the various techniques when painting difficult, really need courage and accurate modeling capabilities of watercolor painting, and this is the moving of watercolors, was the so-called "infinitely expansive opportunities exist in". Setting up exercises to radio music everyone can do, to rise to art level; Ballet must be professionally trained, tiptoe dancing souls photo taken of inferior spirit charms sporadic.
Conversely, if in transparent watercolor pigments added has a coverage of silty material, can modify, thick paint, gouache in China. And not the art species in the world, at best subsidiary of watercolor portrait painting, called the opaque watercolor painting. In China have a lot of authors, it is important because every year of fine arts subject examinations of candidates of color selection of the materials, but precisely because of its opaque paint effects in an embarrassing situation, on the artistic value and aesthetic taste of far less transparent watercolors. The basic fact is this appears to have done a horse team, who will eventually make good little

What is the watercolor painting beauty

Watercolor, which is characterized in the water and color. Do not play to the strengths of the water, it cannot compare with oil painting and powder painted strong; not playing color features, charm and less than the ink, but it's wonderful in combination of water and color. ---Wu Guanzhong(chinese famous artist)
Painting materials pose painting language of genes, starting art supplies in this sense, we can say that art ontology languages is determined by the material, material and determine the skill. So-called material refers to the artist in painting, the paint choice and thus created the Visual quality of the material, it is an extension of artist's soul and feeling, also works the end of expression. The length of each painting are both have their own places, watercolor painting materials also has its own rules, there should not alter or change the properties. Watercolor painting is called watercolor, it is because it has water color. Oil painting with color without water, and the water as the medium of watercolor painting, reconcile transparent water-based paint in the paint on the paper, junction, the color and the color of water and water permeability; run line color, water color, showing the Visual effect of a smooth comfortable. Thaw, Director of the oil painting and painting, with its own distinct language system and aesthetic standards, occupy a place on the painting. In particular, it features such as elegant, flexible, transparent, clean and more people feeling deep in Qingyuan, indifferent charm. Because of this, watercolor has essential significance in contemporary human life. Therefore, further exploring the material and material and techniques in connection with linguistic charm, let speak the screen itself, is to deepen the important symbol of Chinese contemporary watercolor paintings, ignore, or digestion of these characteristics, means that the watercolor art of dying.

Water beauty of watercolor painting

Watercolor, as its name suggests, is a form of water as the medium of painting. Various watercolor  portrait painting techniques without the use of water, and the pros and cons of water is often an important basis for the assessment level compete watercolors. Art supplies can say that water is the life of watercolor and the bottom line, not only water with diluted pigment, adjusting bias, but also has a moist, cohesion, of flushing, washing, and other functions. Interaction of water and watercolors to color blending to complete the picture, beauty of form under the action of water flowing rhythm, that other picture types that are difficult to reach. Oil painting "the heap" color model, impossible to form flows; traditional Chinese painting "ink" despite a certain amount of flow, but because of the water absorption of rice paper, liquidity than watercolor. Reliable colors of watercolor painting and the flow of water through the writing movement on the screen, or by action of drawing-up and down, left and right, are at an angle, the color of the drawing surface itself also has a sense of flow. Therefore, a watercolour of the final visual effect, regardless of what kind of water and water-color on screen and spots a sign, is the flow of water and used to form. Such flows, to produce the active of rhyme and rhythm. Water permeability of the spaces of the same kind into a wave and current, warm, clear and cold and dark in color form a wave. Cloud drive, Nimbus air line. "Niey shadow of the pen, wrote Babel one" (Qing • Wang Chuan). This homeopathic fully and delightfully, lively and natural texture effects, craftsmanship, taste great with strong visual impact, which also makes its own artistic activity.
Water and color blending of watercolor landscape painting process, full of vitality, both known and unknown, filled with a lot of opportunity and hope. By water dilution, cleverly combined with weak color and paper can produce beautiful beauty titou, water and all kinds of sports and imitating others ' styles, ultimately creating a flowing rhythm of the language of watercolor painting. Water clear, smooth, easy to dissolve and seepage characteristics of color changing, light waves add radiance. Water availability, speed and makes the color of wealth to the rhythms and changes, so that the whole process fascinating and ever-changing painting. Playing in heavy water complex is the process as a whole, and a new Vista; is the talent and the will of the contest, is the embodiment of the abilities and accomplishments. Therefore, appropriate skills to make more complex and delicate charm of the overlap of wet and dry, pen marks, white space, such as the use of. Especially the "wet" bring vacant, deficiency of far, a casual and lively paintings other kinds that are difficult to reach, although other kinds of color paintings can "do" room, but no water brought by the natural permeability of unique spirituality and fantasy effects. From the language of watercolor painting of aesthetic sense, works in addition to a water splash pour-sprinkling, carefree dripping feeling and playing with color and meaningful, beautiful, bright colorful flavor, this is exactly what the picture kind of survival, displays the essence of vitality. Painters painting process, watercolors of undisturbed water, color of concise, specific randomness such as grace, lyricism, and reflect on creative thought. Cultivate temperament, given the language of watercolor painting unique visual appeal, water spirit of watercolor art is the ultimate achievement.