Compare the last supper by Leonardo da Vinci and the Last Supper by Giampietrino

  
The last supper by Leonardo da Vinci is one of  davinci most famous arwork, finished during 1495–1498,now it locat in Santa Maria delle Grazie, Milan

The last supper is the most important story in Christian legend, almost all religious painters paint. But gray in Milan, Leonardo da Vinci for the deeds of Mutual Covenant before the monastery refectory paintings of the last supper, all artist screen art images have a common feature: that's all the disciples Judas and separating picture across the table, orphan is on trial. This is because the artists inside the complex emotions of the people cannot be displayed, from on the image it is difficult to distinguish between good and evil. Due to the human image of Leonardo da Vinci and psychological observation and study in depth, from the character's actions, gestures, facial expressions and insight into the characters ' delicate mental activity.
Artists select moments of the plot is that Jesus learned that he was disciple of Judah, and poor disciple Peter notice and his disciples in the evening dinner in the more section, is not intended to eat, but to publicly expose the traitor. When Jesus seated impromptu said after the sentence: "one of you gave me. "You said this, all the disciples of a wave of unrest caused by, each of these words are a reflection of their personality: some declare their loyalty to the teacher; some sense of who is without doubt require tracing; some to ask elderly people, the whole scene was disturbing. Painters of the past could not show scenes of the complex and the inner spirit of the disciples varied activities, but Finch from the observation of different personality figures in real life, with varying personalities, so the draw shapes vary in character, can watch from your own experience of life, different psychological analysis on the people in the picture.

The Last Supper by Giampietrino finish in 1520,after Leonardo da Vinci, oil on canvas, currently in the collection of The Royal Academy of Arts, London (purchased in 1821, usually on exhibit at Magdalen College, Oxford) --- an accurate, full-scale copy that was the main source for the twenty-year restoration of the original (1978-1998). It includes several lost details such as Christ's feet, the salt cellar spilled by Judas, the transparent glass decanters on the table, and the floral motifs of the tapestries that decorate the room's interior. --- It was first mentioned in 1626 by the author Bartolomeo Sanese as hanging in the Certosa di Pavia, a monastery near Pavia, Italy, but it is unlikely that it was intended for this location. At some point, the upper third of the picture was cut off, and the width was reduced. --- Giampietrino is thought to have worked closely with Leonardo when he was in Milan. --- (Note: A very fine, full-size copy of this painting, before it was cut down, is installed at Tongerlo Abbey in Westerlo, near Antwerp, Belgium.)

The paintings are for the same topic in different skills,sot the people expression and the figures physical is different.
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